Hidden Hazards in the Art

The art studio is always considered as a safe, calm and creative space to create vibrant arts. But the art studio maybe more of a dangerous place than you think. Art is something for the care. Art is something for the carefree and creative spirit. If you’re an artist, you don’t want to be the person who creates an installation that ends up injuring everyone that goes to see it. Health and safety is important.

If you’re planning an installation or a performance piece, first of all consider the following:

  • Think about where you’re going to do it.
  • What space will you need?
  • Who will be your audience?
  • Can your audience move freely around the space? If so, how are you going to keep them there?
  • Does the work itself create any hazards or could it have an adverse effect on the audience?
  • It’s also worth checking what is and isn’t allowed in the venue well in advance.
  • Once you’ve got your location sorted, before you begin doing anything, you’ll probably have to fill out a risk assessment to show the owners of the space you’re using that what you’re doing is safe.
  • In order to get the most creativity out of your performance or installation, you need to think logistically about what you can achieve.
  • The bottom line is that whatever you do, you need to make sure that it’s safe.

Chemical Hazards in Ceramics

Making ceramics is a form of art and its fun. Most ceramics are colored and what they fondly use to color them are glazes. Before using these colorants check the box and read all labels. Sometimes they do not have labels but all should contain warnings. The colorants in ceramics usually contain nontoxic and toxic ingredients. Cadmium and lead are usually found in these colorants. They are known to be neuro toxic compounds. Both are also carcinogenic.

When working with ceramics you also have to work with clay. There are options when working with this material. One option is working with dry clay and mixing them yourself. The common problem working with dry clay is you can generate a lot of dust. These dusts contain crystalline silica which when inhaled can cause impairment of your lung function.  It may also be a cause to serious lung disease like silicosis and lung cancer. A good way to avoid this is getting your clay pre wetted. This type of clay generates no dust until you finally end up using it.

Ways to avoid people from inhaling these dusts:

  1. Use a mask or a respiratory protection that can help block these particles.
  2. Using a vacuum with a high efficiency particulate air filter can filters out the fine dust and keeps it from being suspended in the air.
  3. Wet mop your floor to pick up any dust particulates. Avoid sweeping them.

Paintings In Casinos – Upkeep And Conservation

Noticed those beautiful paintings in most casinos? They all look elegant and well-maintained. Let’s find out how they do it.

Online casinos like play88 casino, of course, do not have these types of paintings as they are obviously virtual platforms. Regardless, you can be sure of their legality by reading reviews.

How To Maintain and Conserve Paintings

Maintenance and control of storage conditions slow down the material deterioration of paintings, painted objects, and other art objects. The decline is faster than expected, certainly without maintenance and/or under poor conditions.

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Maintenance
You can dust paintings every four to six months, but after a thorough inspection of your paintings for loose or flaking paint. Feather brushes scratch paintings and frames, use a soft and clean make-up brush instead. Never attempt to clean a painting yourself or use cleaning agents on a painted surface. Products that are on the market can cause irreparable damage to the vulnerable paint layers. Cleaning paintings with potatoes, onions, breadcrumbs, vinegar, or soap is very bad for varnish and paint layers. Avoid using water, pesticides, nebulizers, air fresheners, or furniture sprays near the artwork. Remove paintings from the room before painting, plastering, or steaming wallpaper. Do not hang the paintings back until the walls and floors are completely dry.

Conservation
The preservation conditions of paintings are, to a certain extent, quite manageable. In terms of temperature and humidity, paintings generally like an environment that people also feel comfortable in. Avoid unusually high or low humidity and temperature to prevent the wood from warping, cracking, or breaking. Small fluctuations are less harmful than large fluctuations in environmental characteristics.

Vulnerability
A painting is vulnerable because it is composed of different materials and raw materials that all react differently to each other and to environmental factors such as light, moisture, heat, etc. The choice of raw materials, the method of manufacturing these materials into supports, primers, paints, and varnishes, and the way they are processed determine the extent to which a painting contributes to its deterioration.

Guidelines for light, humidity, and temperature

The following guidelines are the optimal conditions, in many situations, these are not feasible. They give an indication, you can have it measured whether the circumstances deviate too far for you. If you use measuring equipment to measure the relative humidity yourself, have it calibrated regularly.

Light and illumination
For ordinary, visible light, a maximum of 150 Lux applies when lighting for 8 hours a day. This value then applies to the Ultraviolet light (UV light) 70 microWatt Lumen. This value is a cumulative calculation; with fewer light hours, a higher value can be applied. Most organic pigments are sensitive to light, for these paintings a value of 50 Lux and UV 70 mW lumens applies. Avoid direct sunlight. When lighting paintings, choose low-UV lamps. LED lamps and incandescent lamps are UV-poor lamps. Low UV versions of fluorescent tubes, energy-saving lamps, and halogen lamps are for sale. Too much ordinary light and UV light from outside can be avoided by means of curtains and filters (UV light-resistant foils and sheet materials).

Humidity
A relative humidity fluctuation of 10% (daily or annual) around a relative humidity of 45% or 55% gives a low risk of mechanical damage for almost all organic objects (Bart Ankersmit – Climate Work 2009 – ISBN 978 8555 025 9). Try to avoid condensation of moisture on artworks. Paintings hanging on walls that are colder than the temperature of the room are affected. This can be prevented by providing the painting with rear protection and by using blocks to enlarge the space between the wall and the painting so that the airflow along the wall can continue unimpeded.

Temperature
The temperature should be around 18ºC and fluctuations should be limited as much as possible. Fluctuations in temperature affect the humidity. Infrared light (heat) such as in sunlight should be avoided. The temperature affects objects; it can expand and contract materials. If humidifiers and dehumidifiers are not used, changes in temperature can cause the relative humidity to rise and fall. This property of the temperature can cause damage to objects. It is therefore important to keep the temperature constant. A good temperature is around 18ºC, but if that means for a room (eg a cellar) that the relative humidity is hardly controllable, it is wise to adjust the temperature in such a way that the relative humidity becomes controllable.

Microclimate
A microclimate is created when a painting is packed airtight, for example in plastic. A bad situation arises when the temperature inside the packaging drops or rises, this causes a change in the humidity. For example, when the temperature drops, the percentage of relative humidity can rise to a level that could cause mold growth.

Framing
A framing offers protection to a painting, but a bad framing can cause damage, see examples. For example, a wooden panel that is framed too tightly can break if it wants to expand and contract due to fluctuating humidity. If you want to buy a new frame for a painting or have a painting treated by a conservator, have it framed by an expert immediately. The salts of fingerprints on a gold leaf or silver-plated frame can cause permanent dark spots due to an etching effect.

Hanging system
The hanging system for the painting and the hanging system near the wall must be sufficiently strong. Wall systems come in many shapes and sizes. When purchasing systems with a rail and suspension wire, for example, make sure that the loadable weight is largely exceeded, the loadable weight is usually stated on the packaging. Hang paintings on two wires or hooks as much as possible. In systems with a perlon cord, the hook must be firmly attached to the cord, heat can cause the hook to slip.

CALLIGRAPHY GUIDE

Whether self-made greeting card or professionally printed invitation card, which you can design and order yourself online, each card gains in personality and expressiveness if it is additionally described by handwriting. If you don’t like your normal font enough, try calligraphy. The technique is simpler than you would think and can be wonderfully practiced and perfected at home.

How to start

If you want to learn calligraphy, you don’t have to have any prior knowledge. The “art of beautiful writing” (meaning of calligraphy) is basically easy to learn. However, to achieve an even typeface, you should practice with calligraphy exercise sheets for a while. But before you can get started, you need the necessary tools first.

 

Accessories for Beginners

You don’t need a lot of accessories for calligraphy. However, it is all the more important that you resort to high-quality tools, otherwise the results will disappoint and the spring will quickly land back in the corner. As a calligraphy beginner, you need this accessory:

  • Spring holder: The spring holder is used to hold and extend the spring chosen for writing so that you can hold it comfortably. Whether you use a variant made of wood or plastic is a pure question of comfort and taste.
  • Feather: Surely you know the pen from the elementary school – it is also used in the filler for second-graders, but is not interchangeable there. If you want to try modern calligraphy fonts, use a pointed calligraphy pen, the stroke thickness of which you can widen thanks to its flexibility through printing. In addition, there are numerous other types of springs, such as left-beveled calligraphy springs, rectangular plate springs or strip springs. You can deal with them if you master the basics of calligraphy.
  • Ink: For your start as a calligraphy beginner, it’s best to use ready-made mixed drawing ink.
  • Paper: Normal copy paper is hardly suitable for calligraphy, as due to the coarse surface, the drawing ink would “bleed out” and run. Instead, use layout paper that has a smooth surface and is slightly transparent, allowing you to place a translucent sheet of guides underneath. Even if you want to write later on thicker paper, make sure that the surface is completely smooth, otherwise your spring will get stuck.
  • Cleaning utensils: In order to clean the spring before use, you also need a small container with water, a lint-free rag as well as soap or cleaning alcohol.

Instructions for getting started

Before you can start, clean the spring. Dip them in cleansing alcohol or soapy water and gently clean them with the rag. Then you can dip it into the ink, which should reach about the middle of the small hole in the spring (ink reservoir). Always hold the spring holder at a 45 degree angle to the sheet when writing. Start by practicing strokes. Spreads, i.e. strokes that lead you from bottom to top, are thin and are guided without pressure on the spring. When smearing, the downward movement, you may apply pressure and thus make the stroke wider.

Consider these tips

To ensure that your first attempts at calligraphy produce great results, consider these tips:

  • Do not press too hard into the paper with the spring, otherwise it may get stuck. This results in patters or splashes.
  • Never press the spring when you write a spread – it should slide over the paper.
  • If the ink is lumped, you should clean your spring moist in between. Alternatively, it may be necessary to dilute the ink with a pipette filled with water (preferably use a separate vessel).
  • For a uniform typeface, ensure that both the spreads and the smears are parallel to each other.
  • The center length (x-height) and the header line should be maintained.
  • Upper and lower lengths should always be the same length.
  • Maintain an even baseline.
  • Make sure that the letters are evenly separated from each other.

 

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Safety Measures in Your Art Studios

Unfortunately, in the art world there are a lot of misinformation that creates unnecessary fear for people who wants to start an art activity.

Here are some basic studio safety protocols to follow when dealing with art materials.

  1. Many people believe that cadmium colors are highly toxic. Is this statement correct? Many art materials contain cadmium however in small amounts. They usually contain cadmium salt which is not enough to be toxic. The only way you get cadmium poisoning is to literary eat or ingest the paint. So make sure to wash your hands thoroughly before eating.
  2. Avoid inhaling the paints. Especially in its dry form. These is especially true when spray painting.
  3. When using paints containing lead be sure not to sand it and inhale the dry components. Make sure to wash your hands thoroughly after very use.

4. Use protective gears and creams while using these art materials. There are some creams designed to help protect your skin from these harmful elements. When working with pastels dry pigments usually sticks in your hand. This may dry and irritate your skin. Use creams and soaps that is designed to help avoid this.

5. When painting with oils you usually need thinners. Try using thinners that are odorless. This made with lesser toxins. Make sure that your windows are open when using thinners. If you have the extra cash, invest on an air filter that will filter out toxic elements in the air.

6. Dispose of your used art materials properly. Do not dump them in your sink. This will contaminate the environment.

7. Be careful not to live oily rugs in a container to avoid fires. Soak this rugs in water to prevent spontaneous combustion.

 

Toxic Metals in Art Materials

Many art materials contain ground metals. These materials come from rocks which have colorants that are powdered.  Without our knowledge some of this are very hazardous to one’s health. Inhalation is usually the route of concern. If they were in a liquid form its harder to breath them in. The finer the particles, the greater the danger of inhaling them.

Here are some examples of Toxic Metals in Art Materials:

  1. Antimony – This is usually used in water colors. When inhaled it can cause damage to the heart and lungs. Ingestion of this toxic metal can cause kidney damage and respiratory failure. It can also cause skin ulcers when in contact with the skin.
  2. Arsenic – This was often used in the past. However today, there are still products that have this ingredient. This is very corrosive when in contact with the skin. It can damage the nervous system, kidneys and the mucous membrane.
  3. Cadmium – This is poison by inhalation and when ingested. It causes internal organ damage. It is also known to cause lung and prostate cancer.
  4. Chromium – It is also known to be carcinogenic. It causes lung damage and may irritate the skin.

Gambling and its Impact on Society

Gambling has always been an important leisure activity for many people over the past centuries. From emperors and kings to the governments of the modern age, attempts were made again and again to prohibit such games or at least to regulate them.

Today it is quite normal, for example, that access to a casino is only permitted from the age of 18, whereas minors should not yet be able to participate in games of chance like judi online and gamble away their own money in the process. What applies in classic casinos, of course, also applies on the Internet.

Parents who let their offspring play on the Internet certainly exist – the question, however, is how the easily accessible gambling affects the children.

Here is an overview of the various possibilities that arise today

For example, with slot machines on the Internet and in most online casinos it is possible for interested parties to play games such as Book of Ra for free. In this way, it is very easy to get a taste for it and, above all, to get a wrong impression of the possible risks. After all, the psychology of playing with virtual stakes is very different from a real budget, but it is difficult to understand for children and young people.

Dangers of gambling

The dangers to which children and young people are exposed through gambling should also be addressed. Thanks to the very easy access to free casino games via the Internet, this target group comes into contact with such games very easily today. It’s still a big step to real bets, but otherwise, a teenager would hardly play roulette or blackjack. However, scientific studies have shown that gambling is very dangerous, especially for young adults. They suffer more often from gambling addiction, as they are very willing to experiment and can easily be influenced by the chances of gambling.

Of course, the possibility of using classic casino games on the Internet is not fundamentally bad. On the contrary, if you deal responsibly with such offers, you can have a good time and with a little luck, you can make a profit. However, it is important to learn how to use such games from the start and to use them responsibly.

Buying art supplies: Things to look out for?

When looking to buy high-quality art supplies, there are several things you should keep in mind. It is important whether you describe yourself as a hobby artist, a beginner or a true professional. After all, there are clear differences in quality and price when it comes to art paints, brushes and the like.

Artist colors: Which aspects are important?

If you want to buy artist paints to immortalize paintings or small pictures on cardboard, paper or canvas, there are several options to choose from. In online gambling as well, there are several providers like 사바카라이트 to choose from.

While the professional artist knows exactly which artist’s colors he wants to buy, laypeople usually have problems recognizing the differences between the individual variants right away. Between acrylic artists’ paints and oil paints for artists prevail but equally large differences between such paints, media and pastes or watercolors.

For beginners, it is often worthwhile not to buy individual artist colors, but to invest in a set. This not only saves you money but also lets you try out the entire range of colors. Don’t forget to order the right brushes so that you can get started immediately when the delivery arrives.

Art supplies for children: which art materials are suitable for small artists?

When it comes to art supplies, many parents automatically think of professional artists and the legends of the visual arts such as Monet and Picasso. In fact, these artists also started out small and did not become world-famous with their first works. Even young artists – with or without great ambitions – should therefore be able to try out high-quality art supplies. Colored pencils, for example, are ideal as drawing implements for children.

With the bright colors, they can let their imagination run free and discover their creative potential. If your kids prefer to work with a brush, watercolors are the perfect solution. These can be used in a similar way to watercolors, but are much cheaper and also specially developed for children. Even the little ones can let off steam with these artist paints for children without hesitation.

Being able to use art supplies correctly increases children’s fine motor skills – whether with a brush or a pencil.

Craft paints suitable for children

Even small children have a lot of fun with painting and handicrafts and should be introduced to creativity as early as possible and playfully. Of course, it is not enough to provide the child with paints, paper and a brush and expect the child to bring a great work of art onto the paper within a short time.

Aside from playing judi online, it makes much more sense to dare to take on the new hobby together with children and to start painting or doing handicrafts in a playful way.

Child-friendly painting

Child-friendly painting naturally also plays an important role in terms of colors and materials. Painting with acrylic paints or oil paints is of course not suitable for small children. However, art supplies offer craft paints for children that can in no way harm your child.

Craft paints for children

Paints for children, so-called craft paints, are perfect for the creative occupation of even very young children for painting at home, in kindergarten or at school. The colors for children are ready-to-use water-based and suitable for children from three years of age. The craft paint can be diluted with water, but it can also be used undiluted straight from the bottle. They can be used on a variety of materials, such as paper, stretcher frames, cardboard, stone, wood, plaster of Paris, modeling clay, cardboard, clay or glass.

Made from completely harmless ingredients, you don’t need to worry about your children’s health. To prevent toddlers from sticking the colors in their mouths, bitter substances are added to the craft paints and finger paints, so that every child quickly loses the desire to snack on them again.

Handicraft paints for children can be applied with a brush, sponge or spatula and finger paints are, as the name suggests, suitable for painting with the fingers, although a brush or any other painting tool can of course also be used.

There is now even stencil paint for children, which is also suitable for painting window color pictures. The paint can be applied to glass, mirrors or tiles using stencils.

When choosing the motifs, you should let your child’s creativity run free and just let it try it out, because experimentation promotes motor and mental abilities. And ultimately, your child should enjoy painting.

Not All Art Materials Are Safe

Art materials such as crayons, watercolors, paints, are used by people of all ages. They can bring out your creativity and they are fun to use. But not all art materials are safe especially for children. There are some chemicals and toxins found in these materials that can potentially harm ones health. They can cause slight to major health problems. This is especially true when these materials are used in a long period of time, ingested or even inhaled. Remember that there are laws and regulations that are mandated to protect its users. Manufacturers are required to properly label the product. It should include the production and expiration date including when the last review of the ingredients was performed. Manufactures should be responsible enough to make their consumers aware of the potential risk when handling these art materials. They should include in their label the health risks associated with use. As a user we should learn to use these materials in a responsible and careful way. We should always supervise our children when we give this to them for use. Reading labels and knowing the different ingredients used including the possible effects to our health is important.  Let’s be alert for any accident and we should be prompt enough to treat them. Going to the nearest hospital during serious cases is important.

Pens and paints: toxic to children?

Children put pen or chalk in their mouths while painting. Can you poison yourself from the colors? How limit values ​​are set for substances – for example currently for lead?

Product safety: the manufacturer is responsible

Possible long-term effects could be problematic with painting utensils. Legal requirements are intended to protect consumers from this. For certain substances that are assessed as critical, the state also sets limit values. With toys, these include carcinogenic substances such as polycyclic aromatic hydrocarbons, primary aromatic amines, heavy metals and allergy-causing substances such as nickel or fragrances and some preservatives. The limits are stricter than many other products to protect children’s health. Parents must monitor their kids when doing artwork while checking promo codes in slotbooster.

New findings: limit values ​​can change

And how do the limit values ​​come about? The amount of a substance that is harmful is determined in animal experiments. A harmless amount is derived from this that a person can ingest over his lifetime then it must be checked from which sources the person absorbs the substance. And on the basis of this, an estimate is made of the maximum percentage he can absorb from the respective product.

In the event of serious defects, recall state warnings

For example, the quality of products sold in Germany is considered good. But as with all other product groups, there are outliers. The manufacturer must carry out a risk assessment for his products – either in his own company or by an external testing company. The state control bodies must check the art products for children regularly.

Tip: prefer products with a seal

Parents must use their nose when buying. It is recommended that they buy products with an additional test seal. The criteria for awarding these seals are sometimes stricter than those specified in the directives for toys for children. Finger paints are suitable even for small children.

What to do in an emergency

How should parents react when their child has consumed paint? The important thing is to never induce vomiting. Instead, the following applies: water-miscible and water-soluble colors are usually unproblematic. The child should then drink plenty of water unless the doctor advises otherwise.

 

Painting and spray painting: Hazards and protective measures

An essential prerequisite for the quality of the coating is an appropriate pretreatment of the workpieces. Depending on the type of coating material and the condition of the workpieces, it may be necessary to clean, degrease, remove paint, stain, filler, and sand before coating.

Hazardous substances are often used in this work. As with coating materials, the measures for the safety and health protection of employees must be determined in the risk assessment according to the type of work process and the substance and specified in the operating instructions. itv7 horse racing online

Cleaning, degreasing and stripping

Solvents or aqueous cleaners are used for cleaning, degreasing and stripping. Typical hazards when using solvents are skin degreasing, inhalation of harmful vapors and fire hazard.

The workplace limit values ​​must also be complied with in accordance with the state of the art. In practice, long-term manual work is then carried out with suction and ventilation or the solvent is used in a closed system.

The aqueous cleaners are a type of detergent. They have the advantage that they do not release solvent vapors and do not cause a fire hazard, but they are usually irritating and the concentrate is usually corrosive. In addition to degreasing the skin, they can also lead to irritation and chemical burns. If there is a risk of splashing, there is a risk of eye burns. In addition, depending on the temperature, there is also the risk of scalding from the hot cleaner or burns from heated workpieces. In some cases, with extremely dirty workpieces or when stripping paint, the cleaner can also be blasted onto the workpiece as steam under high pressure. While cleaning, you can check itv7 horse racing online if you are into betting.

Pickling

If workpieces such as stainless steel or non-ferrous metals do not have sufficient adhesion for the coating, they are pickled. As a rule, these pickles are caustic, sometimes caustic and poisonous liquids.

For large areas and in industrial production, they are used in the immersion process, in craft and for individual workpieces, stains are often applied with a brush.

In general, there is an increased risk of skin and eye burns, in addition, in the case of toxic stains, skin contact, ingestion or inhalation of vapors can result in dangerous poisoning.

Concealed Dangers in Art Class

When you hear of the phrase Art Class, you can easily relate this to pupils drawing, painting, sculpturing and many more. It has an atmosphere of creativity and enthusiasm to create something beautiful. Yet, despite the fun and excitement in this class many are unaware of the potential danger in this types of class. This is especially true to young children.
 
Most of the time the perils that exist in an art class are ignored. The reasons are simple, some are unaware of the health hazards. Some to not practice and understand safety measures that come when handling these materials.
 
Before entering an art class the teacher and students should be lectured on the proper handling of Art materials. The teacher should be well trained to handle emergencies. Students should be well supervised when handling these materials to avoid accidents.

Who are More at Risk to Hazardous Art Materials?

Both children and adults are fond of arts and crafts. However the some materials we use in art are harmful. Without us knowing there are plenty of art products that contain toxic materials that is hazardous to one’s health.

Children below 12 years old are more at risk for exposure to these harmful elements. This is because children of this age are very curious. The colorful, attractive shape and fragrant smell makes it very tempting to taste. When ingested they are at risk for complications and even death. They cannot handle the effects of it because their body are small and their vital organs are still underdeveloped.

Children who are older are also at risk when they handle this materials improperly. Some older children intentionally abuse these materials. Materials such as glue, paint and solvents have an addicting smell which can lead to abuse. Many art materials have addicting smell thus some use this to get high.

Other groups  who are also potentially at risk are those who have visual and hearing problems, those who have physical disabilities and those who have respiratory diseases such as asthma and COPD.

Buying art online: Tips, risk and information

Buying art on the internet makes sense. Internet exhibition rooms are always open. This has the advantage that you can always look at your favorite picture before buying it. At least that is true until someone else has bought it. Another advantage is that you can easily pass on the link to art on the net. This way you can easily show the picture to your family and discuss it.

Trust is good, communication is better

Take advantage of this. The disadvantage, as always on the net, is the variability in terms of reliability and its anonymity. Eliminate the disadvantage of a lack of personal contact before buying art. Take the opportunity to get to know the artist by email, phone call, or visit the site. Simply clarify all questions about your favorites without obligation. A painting is not an industrial product that is always the same. It is unique and the selection can be correspondingly intensive. The artist will understand that.

The reaction of the online gallery also gives you the opportunity to assess its professionalism and reliability. It is not just search engine ranking or web design that counts. It’s about painting – don’t let anything else blind you. A prominent search engine entry or web design says nothing about the quality of the painting.

Red is not red

When looking for the works on the Internet, bear in mind that paintings are presented differently on each monitor. Just like online casinos such as 더킹카지the offers are displayed differently. Monitors having realistic colors are a bit expensive. A corresponding calibration is very complex. Scanning and taking photos also make the colors look a bit different than the original…

Try size before buying art

It has also proven helpful to be really aware of the size of the work on the wall. This is possible, for example, with a folding rule warped at right angles or with appropriately cut paper. 150cm is astonishingly large above a sofa or a piece of furniture.

In the end, surely there will be an original that you want and that you should also access if you like it so that it is not snatched away by an art connoisseur in the vastness of the Internet.