Author: Jindřich Kubíček

For several people, gambling has an attribute that’s distinct which keeps them alert and ready for the big win. Over the years, a lot have been fascinated by it and have repeatedly found it challenging to perceive and recognize that thin line separating the excitement gambling and life itself. Regardless of their gender, ethnicity, status, and occupation in gambling accommodates individuals of all backgrounds as well as presents something exhilarating that satisfies their intangible and imperceptible cravings.

Even artists, individuals with the creative minds and hands, aren’t unfamiliar to the mysteries of gambling either. They have that capacity to push themselves out of their limits and gambling provides just the sort of swing between triumph and defeat that they frequently unconsciously long for. For example, Ernest Hemingway who had on the greatest minds, at one time famously described gambling as a “demanding friend.”

Gambling – The Remarkable Muse

The twentieth century has seen a lot of famed gamblers, and possibly of them all, two of the greatest were painters – Lucian Freud and Francis Bacon. Both recognized very well the part that gambling has done for them. For them, it was an imperative muse wherein they gained strength, pleasure, excitement as well as misery. Even with their behaviors, they brought into being lasting careers and works of art that are celebrated to this day.

Based on both artists’ way of life, it shouldn’t be a bombshell that they had a likeness for gambling. Their approach and outlook toward gambling were similar to their approach and outlook toward life – all or nothing.

Strangers may be concerned about the careless handling of their personal funds in the casino as uncontrolled and thoughtless, however to both to Freud and Bacon, whether they win or lose, everything was on the excitement of playing.

Freud’s close friends would say that he would play games of chances until nothing was left of him and that in one way or another unconstrained him to again begin painting. For Bacon, he would say that gambling was the focus of two poles, he delighted in the feeling and experience that it caused, elation and joy when winning and misery and gloom when losing.

The artists’ fancy and love of gambling is understood much better when considering how they set about with painting. Both have claimed that as they painted, they as if they had walked on the sharp edge of a razor amid control and losing it. Every brush stroke was the variation between disaster and brilliance. The characteristics of paint was as volatile as the luck of a person playing a a game of chance. The bigger stakes mean the greater excitement.